Framing Art: A Guide for Those of Us Who Overthink Everything

So, you got some art. Amazing. Maybe it’s a cat in a top hat, maybe it’s an abstract swirl that makes you question all your life choices. Either way, now comes the tricky part—framing. And this is where things start spiraling. Do you mat it? Do you float it? Do you panic and shove it in a drawer for six months? (No, seriously, don’t do that.)

First, let’s be clear:

I highly recommend a professional framer. They have tools. They have knowledge. They probably won’t spend two hours in an existential crisis over whether an off-white mat is too “off.”

Mat or no mat?

That is the question. A good mat can elevate your artwork, giving it space to shine—like the perfect kiss on a first date, making everything feel just right. But be careful with color. A mat that’s too bold can overwhelm the piece, turning a quiet masterpiece into a background extra. Deep black can be too harsh, bright white too loud. Stick with something soft, something that lets the art do the talking while the mat plays the perfect supporting role.

Oversized mats

Oversized mats can give a small artwork a sense of importance—like it’s standing on a stage with the perfect spotlight. They create breathing room, drawing the eye straight to the art instead of letting it get lost in the frame. Choosing a mat and frame in the same color, like a soft, cool white, keeps everything seamless and sophisticated. It’s the visual equivalent of a well-tailored suit—clean, intentional, and making sure the art is the main event, not just part of the background noise.

Float mounting

Now that’s a power move. Showing the edges of the artwork allows the entire piece to be present. Basically, it makes your piece look effortlessly cool—like the main character of your gallery wall.

In summary:

Get a frame, maybe a mat, avoid decision paralysis, and most importantly—don’t let your art sit unframed in a drawer for the next five years. Your future self (and your walls) will thank you.